Other installations like “ Your spiral view” (2002), an approximately eight-metre-long tunnel constructed from steel plates that are assembled into two sets of spirals coiling in opposite directions. This includes his early investigations into space, motion and natural phenomena – as explored in “Moss wall” (1994) featuring lichen native to Eliasson’s homeland Iceland – to extensive experiments with light, colour, geometry, perception and participation that characterise his work today – such as “Stardust particle” (2016). Each installation, or group of works, will encompass a key theme explored within Eliasson’s career. For the first time, the exhibition will also examine his wider collaborations in fields as diverse as sustainability, migration, education and architecture, allowing viewers to explore how these projects extend his artistic practice. His works reflect on nature and also demonstrate a lively, interested engagement in daily experience, he possesses an astonishing ability to activate space.Īfter his installation “The weather project” (2003) at Tate Modern s Turbine Hall, Olafur Eliasson presents his first major survey in the UK, “In real life”, showing together over 30 works spanning the last three decades – from celebrated early installations like “Beauty” (1993), to new paintings and sculptures. Moving seamlessly from his early photographs to sculpture, immersive environments, large-scale public interventions, and architectural projects, Olafur Eliasson uses simple natural elements (light, color, water, and movement) to alter viewers’ sensory perceptions.
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